Tielin Ding

tielinwork@gmail.com ︎


  1. Keys are Moving, They Generate Moving Keys 
  2. The Sound-truck of
  3. Site-specific Temporal Installation
  4. Grass, Mountain and Traffic Cone
  5. A Walk with Blaze 和树号的一次行走
  6. Meandering Markers of Murmurs
  7. A Walk with Traffic Stick
  8. Between /pɪŋ/ and /pɑŋ/
  9. An Apple Made of Foam and Cement
  10. A Man Holding a Stop Sign 
  11. The Sound-truck of
  12. Beyond the Surface 象外
  13. Portrait/Editorial
  14. latest works 2025 
  15. It’s Going to Rain

Tielin Ding, born in 1996 in China, is a wanderer, observer and mixed-media artist whose is interested in repetition of forms and movements, operation of chances and metaphors. Under the practice of way-finding, mark-making and game-changing, he has been very interested in drifting in the field of language and space, risking getting lost from point A to point B. He graduated from MFA in photography and related media at Parsons School of Design, The New School in NYC. Residency programs he attended include Ellis-Beauregard Foundation, Abbott Watts Residency at Monson Art, Swatch Art Peace Hotel, Nars Foundation and Edward Albee Foundation (January 2026). 

Artist Statement

Artist CV︎ 



Mark
video documentation https://www.instagram.com/p/DP3xIkAEVAl/ 

press release and essay written by Jared Quinton 
https://drive.google.com/file/d/1f11sOyTZeWW-TO9-j_ILNro3lJIiCR3u/view?usp=sharing 

It's Going to Rain, 2025, dimension variable

motors, umbrella, brooms, fans, leaves https://www.instagram.com/p/DP3xIkAEVAl/


Psycho Rain, 2025, 37x80 1/3 inches

watercolor and acrylic on print


Before a storm comes, swirling vortices of air, bring leaves floating and in motion.

Brooms, fans, umbrellas, gathering, murmuring. It’s a party with flickering lights. Yes,

it‘s going to rain.


John Cage asked, “When a truck passes by a music school or a factory, which is more

musical?”Tielin Ding approaches this exhibition with a similar spirit, pondering the

buildup of energy before a storm and the tension that precedes a natural eruption. 

When does the storm truly begin? The umbrella, a common motif in this exhibition,

symbolizes protection and faith. The color yellow recurs throughout his practice. He

considers the yellow lines on roads, suggesting a sense of both continuation and

separation. By focusing on the friction and pulse between things and their

environments, It’s Going to Rain presents a look at the moments between safety and

uncertainty, logic and whimsy.