The Sound-truck of
Thinking of the notion of construc(k)tion site, or the (non)sites of construc(k)tion, I am wondering what is the soundscape composed of in “Construc(k)tion Site”. Under the entanglement among form, sound and materials, how many different verbs can be activated onto cement, concrete, steel so on? These photographs are taken across different cities, I am trying to blur the spatial and cultural context of each photograph and think about them in a more conceptual way. John Cage was asking in1958, which is more musical, a truck passing by a factory or a truck passing by a music school?